LOGAN Z. WEBBER

TENOR BASED IN WINSTON-SALEM NORTH CAROLINA

Logan Webber is a native of Colorado Springs, Colorado, and has performed with numerous prestigious organizations, including Virginia Opera, Hawaii Opera Theater, Amelia Island Opera, Opera Carolina, Piedmont Opera in North Carolina, The Colorado College Vocal Arts Symposium, Colorado Springs Fine Arts Center, Ash Lawn Opera, Chautauqua Opera, the Rural Artists Project in Alaska, the American Institute of Musical Studies program in Graz, Austria, the Winston-Salem Symphony, Salisbury Symphony, and the Richmond Symphony. Mr. Webber has performed in many productions with the Maryland Opera Studio including Die Fledermaus, Love/Hate, Così fan tutte, and premiered the role of Justice Scalia in a new works reading of the opera Scalia/Ginsberg. In the Summer of 2016, he made his main stage debut at The Princeton Festival as Rector Horace Adams in Peter Grimes, and then performed the role of Spoletta in Piedmont Opera's Tosca the following Fall.

Fall 2017 highlights for Mr. Webber included BWV 80 with the Salisbury Symphony, Jonathan Dale in Piedmont Opera's production of Silent Night, and King Kaspar at the Smith Civic Center's production of Amahl and the Night Visitors in Lexington, North Carolina. He also sang in the 84th annual Mozart Club Messiah and Salisbury Symphony Messiah as the tenor soloist.

Logan began 2018 as a Young Artist at the Hawaii Opera Theater. He was featured in both Eugene Onegin and Daughter of the Regiment as well as the premier of Herb Mahelona’s oratorio, Kinohi. He finished his season with HOT singing the role of Dallas in the one-act opera Service Provider. In the summer, he debuted with Charlottesville Opera as Rapunzel's Prince.

As a member of Virginia Opera’s 2018-2019 Herndon Foundation Emerging Artists Program, Logan covered Don Ottavio in Don Giovanni, sang Daniel Buchanan in Street Scene, and performed in the Spring Education and Outreach Tour. In the summer of 2019, Mr. Webber made his debut with the Richmond Symphony as Le Rememdado in Carmen alongside Denyce Graves, as well as Rinuccio in Gianni Schicchi with Opera Theater of the Rockies.

As a member of Virginia Opera’s 2018-2019 Herndon Foundation Emerging Artists Program, Logan covered Don Ottavio in Don Giovanni, sang Daniel Buchanan in Street Scene, and performed in the Spring Education and Outreach Tour. In the summer of 2019, Mr. Webber made his debut with the Richmond Symphony as Le Rememdado in Carmen alongside Denyce Graves, as well as Rinuccio in Gianni Schicchi with Opera Theater of the Rockies.

“Amusing Flair”

-The Los Angeles Times

“a rich voice – powerful, yet tender and endearing.”

-Peter Perret, CVNC

Recent highlights include Le Remendado in Carmen with Opera Carolina (2025), The Soldier in The Trial at Rouen (2024), and Him in A Tall Order (2024) with Piedmont Opera. He also performed Dallas in Service Provider (2023) with Amelia Island Opera and Ercole in Ercole su'l Termodonte with Pacific Opera Project (2023). Additional roles have included Dickon in The Secret Garden (2022) with Hawaii Opera Theater, Camille (cover) in The Merry Widow (2022) with Charlottesville Opera, and Rolf in The Sound of Music (2022) with Charlottesville Opera. He also covered Borsa and Duke in Rigoletto (2022) and performed as Edoardo in Un Giorno di Regno (2022) with Opera Orlando.

Logan has been a featured soloist at several prestigious events, including the Anderson Cancer Society Benefit Gala (2024, 2025) and the AES Yuletide Celebration with the Indianapolis Symphony (2022, 2023). During these Yuletide performances, Logan had the opportunity to perform alongside renowned artists such as Frankie Moreno, Ben Crawford, and Sandi Patty. His versatility and strong vocal technique have made him a sought-after performer in both opera and concert settings.

Logan received his Bachelor's in Music from the University of the North Carolina School of the Arts, where he was awarded a William R. Kenan Jr. Excellence Award from the William R. Kenan, Jr. Charitable Trust. He studied under the direction of Dr. Marilyn Taylor, Chair of the Voice Department. He received his M.M. in Opera Performance from the University of Maryland at College Park under the direction of Delores Ziegler. He returned to UNCSA for the 2020/2021 season to complete his Post-masters certificate.